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hvað segiru king

by korter í flog

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All proceedings from sales on bandcamp will be donated to No Borders Iceland.

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Þessi plata er tileinkuð allri grasrótinni í Reykjavík ekkert væri til án ykkar! / This album is dedicated to everybody who contributes to the grassroots scene in Reykjavík, nothing would exist without you!

Við hefðum aldrei getað gert þessa plötu ef það væri ekki fyrir alla vini okkar og foreldra sem styðja okkur endalaust og við erum ykkur ævinlega þakklátir og við elskum ykkur mjög mikið.

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All songs written, produced and mixed by Korter í flog.

Violin and Saxophone on For Birthgiving Toad and Karkki á Krakki played by Hjalta Nordal

All kinds of stuff on Blu-ray safnið hanns Baldurs played by Mija Milovic & Oliver Laumann

Guitar on Djöfull ertu sætur by Flaaryr

Back vocals on Krakki á krakky by Hrafnhildur Einarsdóttir, Karólína Einarsdóttir, Sigurlaug Thorarensen, Bjarni Daníel, Auðunn Orri Sigurvinsson and Diego Manatrizio

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Special thanks/shoutout

GRÓA, supersport, spaðabani, BSÍ, GÓÐXÆRI Kári Orrason, Bjarni, atli, alex, hrafnhildur, fríða, karó, steinka, oliver og mija, sonic youth,goodiepal, GP&PLS, Hendrik, no borders, Andrými, nikki, sean, hörður, eydís, Snæi, guðný, Diego, Hjalti Nordal, Hörður, Isa, Aron og Dagur, Dagur Kristinn, Charli XCX, oona, steinunn og álfheiður, BLM, David Graeber, Steve Albini, Joe Strummer, june, bjarki, black midi, tucker, gummi frændi, Arnar Breki, Milford Graves, hjalli, andrés, finnur kaldi, arnar eggert, ægir, r6013, whynot?, hlammi grundó, stjáni rokk, sjuski, silla, julius, katrín helga, Autechre, Tool library, Fraktal, Lachenmann, Stirnir, Blossi, Mengi, Ragga, Smekkleysa, Ási. Curver, peachole and our friends in the US, we will come to america, man kind, góða stöffið og síðast en ekki síst Post-dreifing.

Drepa alla fasista

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released September 27, 2020

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korter í flog Reykjavík, Iceland

it is quite a difficult task to try and define korter í flog‘s style of music. drawing influence from kraut-rock, post-punk, doom metal, no wave and more, they usually work with simple, repetitive patterns in their songs, which results in a structured but chaotic outcome.
during live shows, they place a big siginifigance on the audience‘s partic- ipation
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